Tuesday, April 9, 2013

Pierre Boulez


            Pierre Boulez is a French composer, conductor, and pianist.  After first studying mathematics, Boulez began his study of music at the Paris Conservatoire under Olivier Messiaen, from whom he learned the twelve-tone technique.
            The twelve-tone technique is a technique developed by Arnold Schoenberg that ensures that all twelve notes of the chromatic scale are found in equal number throughout a piece, with no emphasis on any one note.  Because all notes are given equal importance, music written using the twelve-tone technique is not considered to be in any certain key.
            Boulez became fascinated by the twelve-tone technique, and went on to study it privately under Rene Leibowitz.  As Boulez progressed in his career, he became one of the front-runners of a musical style known as serialism – a style based primarily on the twelve-tone technique.  In serialism, recurring musical elements are employed to give a piece of music unity.  A prime example of this technique can be found in Boulez’s “Anthemes”, which can be listened to here:
            Typical of the serialist style, the piece cannot be placed in a key, but rather exhibits unpredictability with no stress on any particular note or notes.  While the piece is rather chaotic, there still seems to be a certain melody that can be followed, however seemingly random.  It is interesting to note that while the notes don’t seem to “go together”, it is almost this aspect that makes them fit so seamlessly together.  In a sense, it’s almost as if the piece is so bad, it’s good.  While this style of music is obviously unconventional and may not suit every listener, Boulez does an excellent job of knitting together seemingly incompatible notes.

Tuesday, February 12, 2013

Top 10 Journey Covers on YouTube


Don’t you get annoyed when you have to sit through a commercial just to watch your YouTube video? Sometimes you’re forced to watch “30 seconds” of an ad before you can click “skip”. In many of those “30 seconds”, I am sure that the words “Don’t Stop Believing” or “Anyway you want it, That’s the way you need it” have been played. From powerful anthems to beautiful ballads, the songs of Journey have been monumental in our mainstream culture. It’s no surprise that many musicians pay tribute to the vocals of Steve Perry and the guitar riffs of Neal Schon through their own versions of this band’s greatest hits.  Hunting through YouTube, I have complied a list of 10 covers of Journey songs (in no ranking whatsoever) that you surely don’t want to miss.

1. Stone in Love – Cover performed by Alex Ward

I am not a sucker for solely instrumental versions of songs, but this is an exception. While Steve Perry gets credit for his outrageous vocal range in the original song, the real star is Neal Schon’s guitar-work. Alex Ward, a not-so-very-known guitar cover artist on YouTube imitates Schon’s riffs flawlessly. Alex brings out the element of guitar of this song like never before.




2. Lovin’, Touchin’, Squeezin’ /Anyway you Want it – Cover performed by Glee
http://www.youtube.com/watch?v=8HfrWzdcOHc

It’s almost hard for me to admit that I am a fan of Glee, but it’s hard for me to deny how perfectly the musical director blended these two songs together.  This short medley is fun, feisty, and worth a listen to many times over.

3. Who’s Crying Now – Cover performed by Yotsuya OutBreak!
http://www.youtube.com/watch?v=X90IdAQcoBg

What? A Japanese Journey cover band? Count me in! From the instrumentation to the vocals, it’s pretty easy to forget that you aren’t listening to the real deal. Yotsuya OutBreak depends a little more on their keyboards and synthesizers to play the song, so this cover has that Asian rock zest to it.

4. Wheel in the Sky – Cover performed by James Patrick

I am a firm believer that pretty much any song can be “acoustified”, yet I was still pleasantly surprised to find a acoustic guitar version of this song. Yes, this guy has a decent voice, but really his folk-style playing that draws me in. In my opinion, the guitar accompaniment of James Patrick to me gives more emotions to the words than the original song.

5. Separate Ways – Cover by Michael Henry and Justin Robinet

Michael Henry and Justin Robinet are best known for their renditions of Owl City songs and other more recent artists. Not only do their voices complement each other, but also they are both fantastic pianists, and have fun while playing. They harmonize perfectly with each other, and neither overpowers the other. The original “Separate Ways” would definitely be seen as a rock anthem, yet these two artists somehow managed to slow it down and make it more passionate. I approve of this rendition 100%.

6. Lights – Cover by PDxguitarfreak et. al

What do you do if you are a musician who wants to form a band but does not know any other musicians around? You go on YouTube and find other artists in order to make a virtual band. From the west coast all the way down to Florida, PDxguitarfreak assembled a team in order to recreate this classic. While this cover was influenced by much technology, it is really easy to appreciate the unique flavor each member brings to this piece.

7. Anyway You Want it (Punk Rock Version) – Cover by Rise Against

No one captures that “in your face” feeling much like Rise Against. This song was definitely meant to pump up a crowd and get them going, and this cover more than does it. Its raw energy only makes me want to have this song “just the way I want it.”

8. Faithfully – Cover by Boyce Avenue

Boyce Avenue is one of the more famous YouTube stars known for covering classic hits. The lead man, Alejandro Manzano, has a voice very similar to Scott Stapp (Creed’s frontman).  What I love about this cover is the use of the Cajon to carry the rhythm along. The Cajon is basically percussion instrument that simply looks like a box

9. Don’t Stop Believing – Cover by Sam Tsui

            One Sam Tsui. Two Sam Tsui. Three Sam Tsui? Multiple Sam Tsuis? Sam is another famous YouTube cover artist, who actually had auditioned for Glee. Using only his voice, Sam overlays the vocal parts for all the instrumental in this song, and quite successfully may I add. He has a voice that will definitely melt the lady’s hearts, and he has a range rivals that of Steve Perry.
10. Open Arms – Cover by Arnel Pineda and The Zoo

            If I told to close your eyes while listening to this cover, you would probably bet me $100 that this was a live performance of Journey. You would be wrong. Arnel Pineda, currently the lead singer of Journey, was actually discovered on YouTube for his perfect replica of Steve Perry’s voice. What makes this song so powerful is its soft sweet and emotional verses that ultimately build up to a high ranged belting of notes in the chorus. Arnel Pineda does not skip a beat on this cover.






Tuesday, February 5, 2013

Top 5 Best Drummers of All Time


            Across all musical genres, drums and the great drummers that accompany them create the backbone upon which the rest of the track is built.  While there certainly exist great songs that do not include drumming, it would be difficult to find a successful artist that does not employ drumming in at least one of their successful tracks.   The following is a list of some of the greatest drummers of all time. Whether they are known for their excellent technique, or loud and powerful sound, all of these drummers have contributed something unique and memorable to rock music.
5. Karen Carpenter (The Carpenters)
            Before her untimely death, Karen Carpenter was known for her vocal performances in the duo, The Carpenters.  While she did possess great vocal talent, Carpenter’s great skills as a drummer are often overlooked.  As one can see from this video, Karen Carpenter’s technique and control hold their own against some of the bigger names in drumming.  One gets the sense that behind the controlled, even rhythms that Carpenter creates is the ability to produce a drum solo that totally kicks ass.
4. Neil Peart (Rush)
            Like Karen Carpenter, Neil Peart exhibits amazing technique and control.  His style is anything but sloppy; it seems extremely well thought out and executed.  While Peart’s style may not appeal to fans of bands such as Nirvana or Pixies because it lacks that grunge appeal, one cannot argue that Peart is one of the most technically advanced drummers of all time.
3. Dave Grohl (Nirvana, Them Crooked Vultures, Foo Fighters)
            Dave Grohl supposedly learned to play drums on pillows when he was too poor to afford a real drum kit -- a trait that’s made evident by his loud, powerful drumming.  Grohl beats the drums as if he’s back home playing on pillows, determined to produce some kind of sound.  Fans of Peart and Carpenter might not find Grohl’s style appealing, because technically it isn’t as impressive.  But Grohl exemplifies the rock ‘n’ roll style of grungy, loud, powerful music that defined rock music for decades.
2. Keith Moon (The Who)
            Find any list of great rock drummers and Keith Moon will be on it -- and for good reason.  Moon exemplifies a great blend of the technical prowess of Karen Carpenter and Neil Peart along with the grungy style of Dave Grohl.  His drum solo in the opening of “Won’t Get Fooled Again” (found in the above link) combines admirable technical skills with a powerful rock sound – a feat that’s anything but easy.
1. John Bonham (Led Zeppelin)
            While Keith Moon does a great job of blending technical ability with soul, no one does it like John Bonham.  Bonham’s technical skill trumps almost anyone, blending soft and loud tones to create a sound that demonstrates spectacular control.  In the midst of this great technical prowess, though, lies a funky, soulful sound that can be found in few other drummers’ styles.  Bonham is one of the few drummers that could hold his own in a funk band, a grunge band, a punk band -- the list goes on.  His unique sound helped to define Led Zeppelin and propel them to fame, and helped to establish him as what many, including myself, consider the greatest drummer of all time.

The Evolution of Rock and Roll

I don’t think I realized how hard it would be portray the movement of rock and roll in just ten songs, until I tried. Queen, Jimi Hendrix, Nirvana—the list of those who have tremendously impacted the genre goes on and on. However, for the sake of honoring that “Top Ten” constraint, here is a compilation of songs I feel highlight some of the best moments of rock and roll! Enjoy!


1954: Billy Haley and His Comets’ rendition of Rock around the Clock marks the critical period when rock and roll finally pushed its way into mainstream American culture. The first of Haley’s songs to hit the top of the Pop charts, Rock around the Clock was a key contributor to rock and roll’s explosive popularity across the globe. The song was especially well-received by the younger generations of the 1950’s. (For fear of belittling Billy Haley and His Comets, I’m hesitant to compare the song to a teen-obsession like “Call me Maybe” or “You Don’t Know You’re Beautiful.”) Nonetheless, the song’s impact on American youth was tremendous, becoming an anthem of the time.

1956: Inducted into the Grammy Hall of Fame and ranked #45 on The Rolling Stone Magazine’s 500 Songs that Shaped Rock and Roll, Heartbreak Hotel by Elvis Presley changed the early sounds of the genre. The song incorporates an eight-bar blues progression and exemplifies Presley’s unique style. His southern twang and vibrato-infused vocals mixes into the music, resulting in this great, echoing sound that people now associate with Presley. Regular performances of big hits like Heartbreak Hotel helped glorify Elvis, as the King of Rock and Roll.

1958: No curation of Rock and Roll would be complete without including something by Chuck Berry. Commended by The Rolling Stone Magazine for his guitar-driven melodies, Berry shaped the sound of rock and roll with his blues-style picking and upbeat rhythm. His chart-topping hit Sweet Little Sixteen encompasses key elements that made rock and roll an early, musical phenomenon. Catchy lyrics, a lively tempo, guitar riffs—who wouldn’t tap their foot to a beat like this? The song also proved to be extremely influential on later rock and roll super stars. In fact…listen closely and you’ll realize that the melody is pretty similar to a certain Beach Boys song… any ideas which one? If not, the tune will definitely ring a bell soon!

1963: Up until this point, the Beatles had proven extremely successful in the British music industry. With the release of I Want to Hold Your Hand, however, the British rock band broke into the American market. Catchy tunes with bold instrumentals helped turn “Beatle-mania” into rock and roll’s next biggest phenomenon. Songs like this and the well-acclaimed Hey Jude not only popularized the Beatles in the 1960’s, but contributed to the band’s legacy as THE timeless identity of rock and roll.

1965: Over 6 minutes long, Like a Rolling Stone by Bob Dylan wasn’t even released to the public ears of rock and roll until a month after its recording. Thank goodness the song was eventually leaked, though, because it ended up becoming a really influential piece in the genre’s modern age. Many rockers would later cover the song, and Bob Dylan, himself, considered it to be the highest point of his career. Dylan’s compelling lyrics and that famous organ riff—just two of the many elements that contributed to the song’s revolutionary appeal during the post-war era. Today, ranked as #1 on The Rolling Stone Magazine’s 500 Best Songs of All Time, Like a Rolling Stone represents a big cultural milestone in popular music.

1965: I had to include something from the Rolling Stones. Yes, part of the reason was because they have an internationally acclaimed magazine named after them…but more than that, the band’s ability to reach out and engage America’s younger generations marks a pivotal point in rock and roll history. Bands began using their music as a weapon against the world’s greatest problems, and no band was more successful at doing so than the Rolling Stones. Bringing back the blues of black musicians and rebelliously singing about sexual subject matter, the Rolling Stones reacted to discontentment of the times. In the midst of the civil rights and women’s movements, the explosive music and provocative lyrics of Satisfaction was well-received. Probably their most well-known song, today, Satisfaction by the Rolling Stones ranks as the second best song of all time (second only to Bob Dylan’s Like a Rolling Stone).

1966: When we think Beach Boys, the first song that may come to mind is Surfin’ USA, one of the California band’s earliest hits. (To answer that previous question, this was the song that “borrowed” the melody of Chuck Berry’s Sweet Little Sixteen.) However, the Beach Boys were known for much more than their summertime tunes. Often referred to as the Beach Boys' “pocket symphony”, Good Vibrations demonstrates the band’s innovation in musical arrangement and their signature vocal harmonies.  It is one of rock and roll’s big successes in the 60’s age of psychedelic pop.

1970: The guitar-driven melody and husky vocals of Eric Clapton’s Layla helped usher in a softer side of rock and roll. Originally released by Clapton’s band, Derek and the Dominos, the song was not well received in the 1970’s. However, in the following decades, Layla gained enormous acclaim—definitively becoming the best known love song in the history of rock and roll. Inspired by Eric Clapton’s love affair with Pattie Boyd (former wife of George Harrison from The Beatles), the acoustic, unplugged version ranks as #27 on the Rolling Stones Magazine’s list of “500 Greatest Songs of All Time” and earned Clapton a Grammy for Best Rock Song in 1993.

1971: Led Zeppelin’s Stairway to Heaven is one of those dynamic songs that keeps you on your toes. Over the course of 8 minutes, the English band progresses through an acoustic folk feel, to an electric sound, all the way to a bold finale of hard rock; each section brings something amazing to an audience’s ears. Stairway to Heaven took a few years to gain anthem-status in the US and UK, but even today, the song has made a lasting impression on rock and rollers, worldwide.  Not a huge rock-junkie myself, I admit that this song is the first that comes to mind when I think Led Zeppelin. I started the clip from the end of Jimmy Page’s phenomenal 4-minute guitar solo during the song, as it is widely considered one of the best all time.

1975: Bruce Springsteen played a huge role in revitalizing rock and roll. He sought to embody the energy and vibrancy that had characterized the music of early stars like Elvis Presley and Chuck Berry. The title song of his third album, Born to Run, captured the rebellious attitude of the 1970’s, infusing a sense of liberation and exhilaration into the genre of rock. The song is especially demonstrative of Springsteen’s break from the conventional organization of rock. He and his band incorporate multiple instruments to create this rich, overpowering sound that proved extremely appealing to the disillusioned audience of the time.  

That concludes my curation of the Ten Biggest Moments of Rock and Roll. Feel free to comment or add to the list!

Thursday, January 31, 2013

A Curation of Miles Davis


           Born in 1926, Miles Davis was a much respected and often idolized jazz musician whose ever-changing style helped to shape jazz music into what it is today.  Thanks to the advancement of technology and digital media, Davis’s work continues to influence generations even after his death.  The following is a curation of some of Davis’s more prominent works along with several descriptions of their respective unique qualities.
            This first piece is a track called “The Blue Room” from Davis’s first album, The Blue Period.  As its name suggests, the song seems, quite plainly, very blue.  This track is slow and soulful in its entirety.  It may strike one as the ‘typical’ jazz song – a trumpet playing a lonely-sounding tune with little to no accompaniment.
            This link contains Davis’s 1959 album, Kind of Blue in its entirety.  Right away, one notices a difference in the overall tone of this album and the previous “Blue Room”.  The opening track of Kind of Blue seems more upbeat, while still retaining the soulful quality of Davis’s previous work.  It’s a song that one finds themselves both identifying with and tapping their foot to.
This third link contains a selection from Davis’s 1970 album, Bitches Brew.  Bitches Brew was unique for Davis in that it marked a movement towards more electronic instruments.  Right away, one notices a new style not present in Davis’s earlier work.  This piece seems to have less structure, and an overall more unique sound.  Unlike the slow, soulful tracks of before, Davis seems to now be experimenting with a completely new sound – a difference that would continue to progress and lead to more innovation.
            The fourth and final link contains “The Doo-Bop Song” from Davis’s final album, Doo-Bop, released in 1992.  This track, more than any of the previously mentioned works, marks a stark change in Davis’s style.  It is extremely modernized, emulating the hip-hop sound of the early 90s.  Proving his staying power and flexibility, Davis manages to retain his original jazz sound while still widening his fan base to more modern music lovers.

Wednesday, January 30, 2013

Best of Chick Corea on YouTube.



In honor of the recent concert done by the legendary Chick Corea, I decided to curate some of his best YouTube videos. The concert was held on January 25 at the Alys Stephens Theater.




The first of the videos is Chick playing on “Legends of Jazz”. His performance is spectacular and energizing, as always, but I thought there was a couple of other aspect that made this performance stand out to me. His use of parts of the piano that is not usually used made this piece unique to me. For example, when he muted the string with one hand and played a rhythm with the other hand was quite unique! His fluid transitions from one rhythm and tempo to another is extraordinary. I feel that this is part of what makes him such a good jazz musician. I also feel like there was an element of aesthetic pleasure to watching this performance rather than just listening to it. The way that he moves with the music and truly feels the music throughout is body is quite amusing.


The second of the videos is a bit longer. This excerpt is from the Chick Corea “Akoustic Band Alive” show during his earlier stages of his career. In this video Dave Wekl is the drummer and John Pattitucci is his upright bass player and man, what a vibe they create. This video has you taping your foot from beginning to end. I also love the use of dissonant by Corea. He makes them sound like they are in harmony.





This video definitely shows Corea’s other side. Firstly, he is not playing the regular piano, like in the other two video’s, which shows that he is truly a musician of variety. In the beginning of the song Corea is also showing us a more laid back style which is very different from his usual up-beat pieces. The vocal in this piece is also very unique and adds a lot to the overall feel of this piece. While the first video added an element with the visuals, this video has no visuals yet the music is as entertaining as the first video.

 


In this fourth and final video Corea shows us that he can really ‘jam’ with anyone. Who would have thought about mixing flute and jazz, but Corea makes an occasion of it. It is also amazing how through all of these videos Corea can surround himself with any musician and remain that feel of flow and togetherness. He does not have to stand back for any musician, he truly has an unbelievable talent.



Tuesday, January 29, 2013

"Chick" Corea


Armando Anthony “Chick” Corea, a Massachusetts born jazz pianist and composer, has worked with popular names such as Sarah Vaughan and Miles Davis.  His musical style has been compared to artists such as Karlheinz Stockhausen because of the electric elements of his music.
Over his long-lived career, Corea has made several transitions within the jazz genre.  His first album, Now He Sings, Now He Sobs, has been classified as classical jazz.  He then entered an avant-garde period and began his work with Miles Davis; under who’s guidance Corea began playing the electric piano.  Much of Corea’s later work is defined by fusion elements of jazz and other genres such as classical and electric.
One of Chick Corea’s most popular recordings is a piece entitled Matrix and is highlighted on The Best of Chick Corea album.  This song was originally release on Corea’s first album and is considered to be a classic jazz piece by many critics.  The pieces utilizes many of the elements of classic jazz including atonal piano melodies, the syncopation of background percussion, and a sense of improvisation that can be heard in the rushing and lagging of notes of the melody in comparison to the remainder of the orchestra.  Within this piece, calming, fixed melodies are quickly interrupted with atonal chords and intrusions of the percussion but then fall back and continue the original melody, causing a very involved listening experience since the listener is almost forced to guess when the next key change or percussion interruption is to take place.  Furthermore, an entire stop to the flow of the melody is provided in the bass solo, performed by Miroslav Vitous, until the original melody resumes again.
Key elements of Corea’s style are seen in Matrix, namely the quick progression of a chord and then a quick change to a different key or even the introduction of another instrument to the forefront of the listening experience.  This style is quite similar to that of Corea’s first main mentor, Miles Davis.
Corea is the fourth-most-nominated artist in the history of the Grammys, being nominated for 59 awards and has won 18 of these.  Corea has also earned five nominations for the upcoming 2013 Grammys.